the black dagger brotherhood series in order

I use a pure black-and-white more in the autobiographical work, and in the fictional ones I add nuances.Īctually, I write and draw at the same time, nothing is ever finished in advance the story is always being created as it is taking shape.īE : What people don’t talk about as much is how distinctive your writing is as well. There are books that I envision with very contrasted blacks and whites and others with optical grays. In fact, I really like to go back to the brush from time to time, to navigate a bit between one tool and the other. I moved from the brush to the pen, and I started to add hatching in certain places, so the drawing became less “black.” I drew Le Cheval Blême (The pale horse) with a brush, which gave me a thick line and very intense blacks. How did that style develop? How do you feel it has changed over the years?ĭavid B : I was very influenced by artists like Pratt, Tardi, and Muñoz, who developed a very distinctive relationship between black and white. One immediately recognizes your work as your own. From there I went back and read my way through his work and since then have co-translated, with my daughter, Sarah, the first two volumes of Incidents in the Night (Uncivilized Books, 20).īrian Evenson : People have often spoken of your distinctive artistic style. I first became familiar with David B.’s work when I encountered “The Armed Garden” in Mome magazine in 2005 and was amazed by both the distinctiveness of the art and the quality of the narration. Since then, a number of his books have been translated into English, including Babel, Incidents in the Night, and Best of Enemies. This was his first book-length work to be translated into English (the first half appeared in 2002 from Fantagraphics, and the complete work was published as a single volume by Pantheon in 2005). David B.’s elegant, austere aesthetics have influenced that publisher’s distinctive trade dress and design sensibility to the present day, and he is also responsible for mentoring Marjane Satrapi in the development of L’Association’s most successful book, the international best-seller Persepolis.Īs an artist, he is best known for his acclaimed autobiographical comic Epileptic, published serially in France from 1996 to 2003, about his family’s struggle surrounding his brother’s epilepsy and David’s development as an artist. In 1990, with a group of six other artists, he co-founded L’Association, the most influential publisher of independent comics in France. is short for Beauchard) began working in comics and illustration around 1985.

The black dagger brotherhood series in order